It has a weird golden, yellow hue to it and seems just too much. The other tricky thing is the exposure. It has a lovely warm colour, and this is one of the films that definitely looks better when slightly over exposed. Im Arran, creator of FUJIFEELS and general photography addict. Choose your sensor to find the film simulation recipes that are compatible with your Fujifilm camera: X-Trans V X-Trans IV X-Trans III X-Trans II X-Trans I Bayer GFX New: Community Recipes! March 25, 2020 @ (ansel Adams maybe-because I didnt have a DEEP red filter, just a cheap Neewer set). I love using the Fuji film simulations on that Fuji X Weekly article you mention I like using the Portra one although the WB setting is never right for me! Thanks a lot for your work I just wonder, how you call your color simulation, you posted above. It isnt quite the same as the Classic Neg I was using on my previous Fuji, an X-Pro3 but its differences are both subtle and intriguing. Example photographs, all camera-made JPEGs using this Black & White Infrared film simulation recipe on my Fujifilm X100V: Crafts & Hobbies - West Valley City, UT - Fujifilm X100V. But for amateurs like me who use photography to document their everyday life and the world around them, I strongly recommend giving it a try, I think youll be surprised with how liberating it is. Maybe I was shooting a lot of nature and park scenes at the time. 7:55 pm. If you like an old-fashioned color palette, you will love this collection of Fuji Lightroom Presets for giving a new feel to your photography. 16. 68 thoughts on " My favorite Fujifilm film simulation recipes " jamiechancetravels says: September 14, 2018 at 10:41 am. I mean come on, thats just a bit funny. Highlight: +4 For some reason, black-and-white film simulation recipes arent as popular as color, but Fujifilm cameras are capable of some great monochrome images straight-out-of-camera. Just programmed into my X100V, took first picture, lovin it already! Another Classic Chrome recipe. I dont know where to begin. Heres some of my experiments: https://marcbeebe.wordpress.com/2019/08/09/the-infrared-zone/. Jorge Perez. Film rarely looks contrasty in the way most people edit their digital images these days. Remember, shoot this 1/3 to 1 full stop over exposed for the best results. After shooting film simulations with my Fuji XT1, I realizedwhat the hell, Ill just keep shooting film! I have thousands of yellow boxes in my closet from decades of shooting that very emulsion. Noise Reduction: -4 My Black & White Infrared film simulation recipe can be difficult to use. It requires special film, or a digital sensor that has had the infrared filter removed. I shoot this at Positive +1/3 to 3/4 Ev and adjust on location as needed. Required fields are marked *. ISO: Auto ISO up to 6400 is fine. Make other edits to the image as nornal. Classic Chrome took a while for me but once I achieved my desired preferences it became my favorite. Definitely trying this one this weekend. Amazing! I also shoot 35mm film and usually have a roll of Fujifilm Superia 400 in my Nikon FE. (LogOut/ Feel free to borrow and use these settings but if you do, Id love for you to start using the hashtag #fujifeels so I can see all of you images. Imai (Soft Filmic Monochrome Look) Monochrome + R. Highlight 0. But, this post is geared towards Fujifilm, sorry anyone who stubbles across this post but doesnt shoot Fujifilm. This recipe has quickly become one of my favorite black-and-white options! But perhaps that is one of the many things that distinguish them (your photos, I mean) they are hard to pigeonhole, they defy simple categorizations. I am really puzzled that people claiming this. Join Me LIVE Today to Talk About Street Photography! I love using this black and white preset for street photography. Change), You are commenting using your Twitter account. If you appreciated this article, please consider making a one-time gift contribution. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. I first came across this Noir while watching YouTube and came across a video created by Omar Gonzales. Unlock advanced features by becoming a Patron. Noise Reduction -3. I also have a X-E1 (the x-pro1 is long gone) and thats still the only color recipe I use on that camera. It is a little more contrasty than the colour recipes but thats fine, most black and white film has slightly stronger contrast. Take the Blind Film Simulation Recipe Test to See Which Might Be Your Favorite! I enjoy black and white very much. The X-Pro3, X-E4, X100V, X-T4, GFX100, GFX 50S, and GFX 50R all have Classic Negative film simulation. teen pregnancy prevention websites. Your photographs have qualities which I find it difficult to accurately put into words. Shadow: +1 At first I just replicated the settings from my X-trans III recipe using Classic Negative instead of Classic Chrome, but after using it for a while and playing around with some of the new options like Color Chrome Effect and FX Blue, Ive mostly settled on the settings below. Cloud Above The Wall - Draper, UT - Fujifilm X100V. I began exploring different possibilities using the in-camera film simulation settings and came across Ritchie Roeschs Fuji X Weekly blog, which features some really excellent Fujifilm recipes inspired by classic films. Sharpness: +2 I tried true red/orange filters on the fuji the other day for the first time. I have a X Pro-1 and Ive been experimenting for about a year now and really love all these simulation recipes but the white balance never seem to come out remotely close, any suggestions? It also added some very slight toning on the warm side which I like very much. So a quick change from DR 100 to DR200 or even DR400 on your Fujifilm will help achieve that filmic look. I have a newer sensor camera but I also have an X-E1 that I have cherished for many years and there arent too many sites with SIMS for that generation of camera. The look is burnt in from these presets.). +R mimics the use of a red filter (although its really more like an orange filter). I am also a shooter that prefers to shoot and not edit, and Fujifilm cameras allow me to be very productive with the customizable film simulations. With full spectrum photography you can choose by the use of filters which light you want to capture. Example photographs, all camera-made JPEGs using this Classic Monochrome film simulation recipe on my Fujifilm X100V: This post contains affiliate links, and if you make a purchase using my links Ill be compensated a small amount for it. These photos are all taken with either the X-T2 or the X100F and I hope you enjoy the photos as much as I do! Check out theFuji X Weekly Appfor iOS and Android. there is no film look when you shoot digital. Posted on January 11, 2021 by Ritchie Roesch. Ive linked back your site, @Ritschie. Its one of the more difficult to use recipes that Ive created, yet it is highly rewarding. , Hi I wanted to thank you for sharing your simulations. As with Acros, there are three variants for this mode; you can add a red, yellow, or green filter. I love its look and its the one I currently use on my x100F: Since the first-generation X cameras didnt have Classic Negative or Classic Chrome, I had to try out different alternatives to get close to the look of my original color recipe. For your black and white preset, do you overexposed or under? I just programmed my X100V with this recipe and the next will hopefully shine 300 Free Fujifilm Lightroom Presets. Nice. Dynamic Range: DR400. Now you've got the details, it's time to see Fujifilm's Acros simulation in the real world. I appreciate the feedback! Its still editing and still a hugely important part of the photographic process. A few of my favourites are @ioegreer, @willemverb, @charliethom, @ej.leff and last but not least @samuelelkins. So my second colour film profile is similar to the look of Kodachrome. https://jimilo.de/f8/index.php?album=Fuji/Infrared, Average pics from an average photographer. Lately though I was browsing through my catalogue and found everything to be a giant jumble of colors and styles. The white balance is fixed. Whites +32. I just checked. This is a keeper for sure. Jeffrey Mudrick I often omitted the extra grain setting which I find almost always pretentious. I shoot this at Negative -1/2 to -1 Ev and adjust on location as needed. My pleasure! I shoot this at 0 to +3/4 Ev and adjust on location as needed. Like so many other Fujifilm users out there, one of the main things that drew me into the X series system was the quality of their jpg files and the film simulations. Your email address will not be published. I just thought this was rather ironic though. I feel like Im taking better shots due to this change in mindset. You've . Looking for a good Fujifilm film simulation recipe for portrait photography but can't seem to find one that fits your mood? This has been a huge help, many thanks. This can give some great odd-colour shots which can be desaturated to B&W. I appreciate the feedback and kind words! Thank you! And what Colour Chrome FX Blue should be set to: weak, strong, or off? So I know this blog is called FujiFeels but that doesnt mean I want to disregard any people who shoot other brands. So in order to simplify my shooting process and get more consistent results, I decided to stick with just one color simulation and one black & white simulation recipe. Shadow Tone - +3. Slight S Curve. Yeah, that would be great! Thank you Solomon! Hi Jamie, I have recently purchased an X100V (to accomplish my X-T2) and have set-up your recipes Chrome Urban, Forest, Acros Punch and Kodachrome Hot. I might just keep this recipe as it is. This can be inspirational even if you . I shoot this at 0+/- Ev and adjust on location as needed. Oh, I dont throw away the Rafs, I keep them on an external drive for backup. Battling creative block with the Hoya R72 Infrared filter and a Fuji camera, How to set up your Fuji camera for street photography, Long Exposure Photography with the Fuji GFX50s. . Cheers from Oregon! I dont have many examples but I plan to experiment more with this in the summer months. I got the idea from Fuji X Weekly reader James Clinich, who uses between 3800K and 4500K with a 0 Red & +8 shift to achieve a darker sky, which is something you can apply to other B&W recipes if youd like to better mimic the use of a red filter. The 7 custom Fujifilm recipes on my camera right now, The film look in digital: what Ive learned so far, Love at first click: an ode to the Fujifilm x100f, I was very skeptical on some of the hardware design changes, My Favorite Fujifilm Film Simulation Recipes | Fuji X Weekly, Updated my favorite Fujifilm film simulation settings Life, Unintended, https://lifeunintended.com/tag/fuji-x-pro1/, Updated my favorite Fujifilm film simulation settings (again) Life, Unintended, Review of SOOC JPEGs with the X70 at Dusk The City Beautiful, Fujifilm Film Simulation Challenge Roll 3: Tri-X Push - Island in the Net, New film simulation recipe for the X-pro3 Life, Unintended, [Not] My Fujifilm X-Pro2 Tri-X Push-Process Film Simulation Recipe | Fuji X Weekly, My 2 Favorite Fujifilm Simulation Recipes | Brandon Lopez, [Not] My Fujifilm X100V Classic Negative Film Simulation Recipe | Fuji X Weekly, Isolation Photo Project, Day 126 by Khrt Williams on Island in the Net, 3rd anniversary of Life, Unintended Life, Unintended, Isolation Photo Project : Day 138 by Khrt Williams on Island in the Net, You can also Forage in Eden Terrace Good Intentions, Film Simulation Recipe Cards, Part 2! ETERNA Bleach Bypass is the newest of Fuji's film simulations, only available in the X-T4 and GFX100 as I'm writing this in early August, 2020. This sim looks great straight without any modifications. Your email address will not be published. The White Balance (and WB Shift) is critical to this recipe, so double-check that it is correct. Shadows -45. If your lucky enough to be using the new Xpro 3, then Classic Neg is also a great choice. I would advise Classic Chrome, Eterna, and Pro Neg. Film Simulation Settings: Classic Chrome. I myself enjoy rich tonality in my monochrome images so if that not you then these last two may not be for you. Crushed blacks, blown highlights and good sharpness. The idea of going for a cinematic look appeals to me. Thats my main B&W simulation, I almost never process the raws in those files. My personal black and white style will very likely be toned even warmer with some of the blacks crushed. Yeah but some may want the film look with the convenience of digital. A black and white with strong contrast and a real film stock look. I tried making that shift to red many times. I found 15 recipes that have clearly dominated all the others in my years of shooting Fujfilm. I shot almost as many images with the Portra 160 recipe but found the contrast and colors here always somewhat more pleasing. I would modify this recipe with a slightly warmer toning. Hard blacks, glaring whites (even though it is only a street light) and a punchy contrast. There is nothing compelling but also nothing alluring. Marcel Fraij - Inspiring selection of colour and mono recipes, including a personal favourite of mine, C201. Im a fan of contrasty, grainy images when it comes to B&W, so I experimented a bit and discovered that the Acros film sim when shot at high ISOs produces some very film-like grain, which looks much more natural than the grain effect in the film sim settings. And heres a selection of shots that I did with this recipe: Something that I realized from using his simulations is that the biggest defining factor in the final look of the jpg is the Auto White Balance shift applied. Thank you, Thomas! Im terrible with titles so I never named it! To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. The Fuji film simulations are light years better than color profiles on canon to get a film look without having to go into post processing. Using a fixed white balance is something I will keep in mind. Sharpening: -4 In 2019 Fujifilm released Classic Neg, which quickly became one of my favourite film simulations for street photography. Earlier in 2018 I realized that I should really spend less time editing and more time shooting, so I decided to use the jpgs instead of the raw files as much as possible. https://www.shopmoment.com/reviews/why-shooting-jpegs-is-so-popular-10-fujifilm-simulation-recipes, On Being Ripped Off Or, Stop Stealing from Me, Top 10 Film Simulation Recipes of 2022 (& 2023 So Far). 5:30 pm. Other than clarity I wonder if it will work on the x-trans III? Works amazing on flowers and high contrast scenes such as sunsets. Apples and Oranges. I dig the film simulations onboard. White Balance: Daylight, Red +2, Blue -5 Of course it does-Ive had it all inverse-blue skies usually would mean more pronounced effect so send blue into red! +G mimics the use of a green filter. But it kind of does not work very well for me. One of the things that I was also hoping to achieve by shooting jpg was to get a more consistent look in my photos, but looking back that never really happened because I kept changing back and forth between all of those recipes! It accentuates structures, light and textures by taking out the colorful distractions. Check out Nikon Z recipes (11 Here, 3 Here, 4 Here)! This is a great all rounder, and I will definitely be using this a lot more over the next few weeks and months. Sharpness - +1. The next tip is just my opinion but I find if you slightly over expose, coupled with what I have already mentioned, that can help you get a nice filmic look. Maybe not quite as convincing, but it definitely works. Overall I feel that this is Custom 7 has me set up for most situations. Vlad My first recipe I use is similar to the look that Kodak Gold 200 creates. I only ever edit when I feel it will enhance an image in a tasteful way. Thanks for sharing , Thank you so much for the kind words! This might help: https://fujixweekly.com/2019/03/07/understanding-acros-film-simulation-options-on-fujifilm-x-cameras/. This recipe uses the Velvia sim as its base. Now this may sound obvious but it really helps. They will not effect your Fuji RAF / RAW files. You are doing a great job. This was my first recipe and it still holds a special place in my heart. The Ektachrome . :p. Just found your wonderful blog. Maybe this might be an idea for something. For your black and whites do you use the above Acros+R setting as well? Fujifilm X cameras started including the ACROS film simulation in their digital film simulations in 2016, offering photographers a completely new black & white digital experience. Anyway, thats the intro to the post out of the way, lets dive in! It might be best to highlight which sections were uofadetd. But the greatest thing about working in raw quickly became my biggest problem: the endless possibilities provided by editing these files means its a never-ending task. Your first photo Stop Here on Infrared is terrific. I enjoyed it very much. These JPEG settings allow you to get various looks straight out of camera, many based on film stocks, such as Kodachrome, Portra, Tri-X, Superia, Vista, and many more! Shiva They wont look the same as the stills, but it can still look good and save you time color grading. Thus I entered a phase of trying out every possible recipe to get a feel for what I can do with a Fujifilm camera.
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